top of page

I’m pleased to invite you to the opening of my first institutional solo exhibition in the United States:


Anaïs Horn

High Expectations

Austrian Cultural Forum New York

11 East 52nd Street


Opening

April 16, 6–8pm

Introduction by Anaïs Horn, readings by Wendy Vogel and Katharina Manojlovic (Literature Museum, Vienna), and an artist conversation with Q&A, moderated by Dr. Stephanie Buhmann and Zoe Knable of the ACF, followed by a reception.


On view

April 16–May 31



More information:

Please register here for the opening event:


Conceived as a site-specific installation in the Frederic Morton Library, High Expectations unfolds as a layered, immersive environment of textile, sound, image, and text.

At its core is the 1931 fabric design Kokain (Cocaine) by Erika von Trauschenfels (Backhausen, Vienna), translated into a large padded floor piece that reconfigures the space as an intimate, physical environment. The installation brings together a polyphonic sound work (in collaboration with Eilert Asmervik), interweaving texts by Austrian women writers of the interwar period — Vicki Baum, Alice Schalek, Joe Lederer, among others — with contemporary responses by Avital Ronell and Wendy Vogel, as well as German-speaking writers Alexandra Bondi de Antoni, Anna Gien, Katharina Manojlovic, and Verena Walzl, alongside two new series of mixed-media works.

The exhibition reflects on the cultural and political transformations of the interwar period while opening a space where female voices resonate and insist, in dialogue with the present. 



Anaïs Horn’s body of work Talk to Me, 2025, — spanning paintings, mixed-media works and objects will be presented with MLZ Art Dep as part of Unseen Encounters, curated by Domenico de Chirico, and unfolds as a dialogue with works by Sergio Scabar (1946–2019).


Art Rotterdam 2026

Rotterdam Ahoy

Booth E17

27–29 March 2026

Opening 

26 March 2026

4:00–9:00 pm


Engaging personal archives and an ongoing investigation into the spectral presence of objects and spaces, the works draw on research on the evil eye through amulets, jewelry and altered images, tracing a space between protection, memory and absence.


Image: Anaïs Horn, Act of Love, 2024, egg tempera, inkjet print on Hahnemuehle Fine Art Baryta, 50 × 40 cm, in artist’s frame.


Anaïs Horn & Verena Walzl

Softness Controls Hardness

Curated by Blerta Hoçia

National Library of Kosovo, Prishtina

Opening: 13 March 2026, 19:00


Taking the practice of judo as its point of departure, the exhibition reflects on heroism, discipline, and the intelligence of softness. Rather than confronting force with force, judo operates through balance, attentiveness, and the redirection of energy.

Moving away from the monumental figures that dominate traditional, often patriarchal narratives of national heroism, the project turns its attention to young girls practicing the sport. In their gestures of training, repetition, and concentration, the exhibition observes another figure of strength — one that emerges through patience, adjustment, and the ongoing process of becoming.

“Softness is not the absence of force, but a different intelligence of resistance — one that understands that the path, the gesture, and the method shape the outcome more profoundly than the pursuit of victory itself.” (Blerta Hoçia)

The exhibition will be on view until 15 May 2026.




bottom of page